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Framed etching or drypoint landscape print, signed by the artist

Framed etching or drypoint landscape print, signed by the artist

Art
Uncommon
Identified on May 19, 2026

Estimated Value

$75-$300

A small monochrome landscape print depicting a lakeside or riverside scene with mountains in the background, water in the foreground, and a building or structure along the right edge. The image is rendered in fine linear strokes consistent with an etching, drypoint, or similar intaglio printmaking technique. The work appears to be signed in pencil at the lower right, though the signature is not fully legible from the image. There is also a handwritten title or place name at the lower left, possibly 'Gandria' or a similar location name. The presentation is in a decorative gilt frame with a wide neutral mat.

Era

Late 19th century to early 20th century (likely c. 1890s-1920s)

Origin

Likely European, possibly French or Italian; exact origin unknown

Material

Ink on paper, framed under mat; likely etching or drypoint print

Condition

Good overall condition for age, with visible toning/foxing to paper, light mat burn or age discoloration, and frame wear. The print itself appears intact with no obvious tears visible from the photo.

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Physical Details

Dimensions

Visible image area approximately 4 x 6 inches; framed size appears approximately 16 x 24 inches, though this is an estimate

Weight

Medium

Authentication

Authenticity Score

Medium - The piece appears to be an original hand-signed print rather than a modern reproduction, but the artist and exact technique cannot be confirmed from the photo alone. The signature and title suggest authenticity, though close inspection of paper, plate mark, and verso would be needed.

Provenance

Likely a decorative or collectible fine art print from a European printmaker; the place name suggests a scenic location, possibly in Switzerland or northern Italy. Exact provenance cannot be confirmed from the image alone.

Historical Significance

Small signed landscape prints of scenic European locations were popular among collectors in the late 19th and early 20th centuries, especially as travel and printmaking expanded. If the signature can be identified, the work may have added interest as part of an artist's regional landscape output.

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